田纳西·威廉斯戏剧中父亲的在场与缺席

1 (p1): Introduction
1 (p2): Ⅰ．Timeless Oedipal revolts
4 (p3): Ⅱ．Social Oedipal revolutions since the mid-19th century
17 (p4): Ⅲ．Hopes of redemption
19 (p5): Ⅳ．Tennessee Williams as a modernist dramatist
23 (p6): Ⅴ．Tennessee's complex relationship with his own father C.C
27 (p7): Ⅵ．The father in Williams'theatre
35 (p8): Chapter 1 The Glass Menagerie:The Post-Patricide Existential Anarchy
35 (p9): Ⅰ．Timeless Oedipal revolts
39 (p10): Ⅱ．The disjointed world as a result of the absence of the father
52 (p11): Ⅲ．Absence of the father as an expression of bitter disillusionment
78 (p12): Chapter 2 A Streetcar Named Desire:The Dead Father as a Toxic Legacy
80 (p13): Ⅰ．Blanche's visitation and her tragic ending
87 (p14): Ⅱ．Return of the dead father and his re-death—a metaphorical reading
93 (p15): Ⅲ．Cultural significance of the father's loss:decline of the degraded Apollonian rule and the old Europe
120 (p16): Chapter 3 Cat on a Hot Tin Roof:The Glorious Comeback of the Father as a Tribute to American Pragmatism
122 (p17): Ⅰ．Maggie—the cat on the hot tin roof
126 (p18): Ⅱ．Brick—the melancholic prince
141 (p19): Ⅲ．The father's saving grace and the&quot